Tenor Saxophonist Michael Pedicin to Release His 12th CD, “Why Stop Now … Ubuntu,” Sept. 24


Richmond, CA (PRWEB) August 13, 2013

A passionately soulful improviser, tenor saxophonist Michael Pedicin is in the midst of an impressive creative surge clearly reflected in his prolific work as a recording artist and composer. His new CD, “Why Stop Now Ubuntu,” is his 12th as a leaderand 5th in the last six years. Scheduled for release on September 24 by his GroundBlue label, the disc reconfirms his status as a masterful post-bopper.

Much of the music on “Why Stop Now” was inspired by the 2012 Newtown tragedy, including the haunting ballad (Newtown) by guitarist Johnnie Valentino and Pedicins glowing impromptu solo passage (Ubuntu), which closes the album. Ubuntu means human kindness, an African philosophy focusing on our connections with one another, says Pedicin. It echoes my constant hope for peace and connectedness in our world.

Along with Valentino, whos been an essential collaborator on all of Pedicins recent recordings, the saxophonist is joined by regular bassist Andy Lalasis and two newcomers to his working quintet, tasteful drummer Vic Stevens and rising young pianist Rick Germanson. Pedicin continues his relationship with producer Joseph Donofrio, best known in the jazz world for his work on Pat Martinos Grammy-nominated Blue Note recordings and also at the helm for last years Pedicin CD “Live at the Loft.”

“Why Stop Now” contains four originals by the leader, including Trane Stop, a tribute to his musical hero, as well as two by Coltrane himself, Tunji and Song of the Underground Railroad. I lived my life admiring and idolizing Trane, every day, all day, Pedicin says unabashedly. I identify with everything about him.

Michael Pedicin, 65, grew up in a musical family in the Philadelphia suburbs. By the time he was 13 and had heard saxophonist Willis Gator Tail Jackson in person and Coltrane and Cannonball Adderley on record, he knew he wanted to spend his life playing saxophone.

At 20, Pedicin began earning his living as a member of the horn section at Philadelphias Sigma Sound Studios, where he worked for producers Kenny Gamble, Leon Huff, and Thom Bell, playing on sessions by such artists as the Spinners, the OJays, and Lou Rawls. He also went on the road with Maynard Ferguson, Stevie Wonder, and David Bowie.

In 1980, Pedicin made his first album, “Michael Pedicin Jr.” (Philadelphia International). Subsequently he toured with Brubeck, and was a mainstay in the Atlantic City casinos, hiring orchestras and playing behind such singers as Frank Sinatra.

Pedicin has since played a lot of straight-ahead jazz, formed his Brubeck Project (which released its debut CD in early 2011), and toured with such notables as guitarist Pat Martino. He also earned a Ph.D in psychology and, in addition to his musical activities, has a private psychology practice specializing in helping creative people. Hes an active educator who founded Temple Universitys jazz studies program and is currently a Professor of Music and Coordinator of Jazz Studies at the Richard Stockton College of New Jersey.

As part of the promotion for “Why Stop Now Ubuntu,” Pedicin will make two Bay Area appearances with the Johnnie Valentino Quartet on 9/14, at Duende in Oakland, and 9/15, at Chez Hanny, San Francisco. Hell perform with his working quintet at Chris Jazz Cafe, Philadelphia, on 10/5; Noyes Museum of Art in Oceanville, NJ, 10/6; and Vitellos, Los Angeles, 10/10.

As I began preparing my thoughts and writing the music for this CD, I wanted to fulfill the opportunity of bringing forth a message of unity, says Pedicin. I feel that I must continue to create, and that my inspiration must continue to evolve in a way that brings me to new places. My hope is for enduring connectedness, peace, and human kindness in our world through the voice that I havethe saxophone. Ubuntu.







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